ERNIE BUTTON

For over 35 years, Phoenix, Arizona has been my home.  For much of my adult life, photography has provided me a forum to communicate my past & present, my humor & concerns, my observations & explorations.  It has undeniably changed the way I see the world; how I look at individuals, places, or objects.  Although my subject matter varies, my images focus on the individual nature of objects (and occasionally people) and the unique qualities that each possesses.  My images often provide a voice to objects that are ignored and are frequently overlooked or taken for granted.

Aberlour 105, 2010, Archival Pigment Print, Ed. 3/20, 23×23 in. (framed)
Dalwhinnie 122, 2011, Archival Pigment Print, Ed. 2/20, 23×23 in. (framed)
The Macallan 150, 2013, Archival Pigment Print, Ed. 1/20, 23×23 in. (framed)
The Balvenie 125, 2009, Archival Pigment Print, Ed. 1/20, 23×23 in. (framed)
Glenfiddich Fire & Cane 3176, 2018, Archival Pigment Print, Ed. 1/10, 23×23 in. (framed)
The Glenlivet 162, 2014, Archival Pigment Print, Ed. 1/3, 40×40 in. (framed)
Aberlour 107, 2010, Archival Pigment Print, Ed. 3/20, 23×23 in. (framed)
Glenfiddich Fire & Cane 3267, 2018, Archival Pigment Print, Ed. 1/10, 23×23 in. (framed)
The Glenmorangie Signet 193, 2015, Archival Pigment Print, Ed. 1/3, 40×40 in. (framed)
Dalwhinnie 125, 2012, Archival Pigment Print, Ed. 2/20, 23×23 in. (framed)
The Glenmorangie Tusail 761, 2015, Archival Pigment Print, Ed. 1/20, 23×23 in. (framed)
The Balvenie Doublewood 17 3069, 2018, Archival Pigment Print, Ed. 1/20, 23×23 in. (framed)